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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Leo: Or che barbara sorte
Forces: soprano & continuo

Source: BL MS Add 14210 ff 10r - 17r

In classic two recit and aria format with some wicked chromatic shifts in the recits, the lover bemoans the cruelty of Fate which has parted him from his beloved.

Range: c - g'

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Pianger vidi appresso al fonte
Forces: soprano & continuo

With a sorrowful image of the shepherdess weeping near the fountain, hand on heart, the erstwhile lover claims that if she were with him she would have no cause to complain! ARA format, both arias wonderfully plaintive.

Source: Münster Santini Sammlung Hs 2358

Range: d - a''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Piansero Eurilla mia
Forces: soprano & continuo

Source: BL Add MS 14210 ff 2r - 9v

A gentle and loving story of a man abandoned in the woods (amongst flowers and verdant fields, of course) by his beloved Eurilla. Still he loves her - your blond hair, your white hands, your faithfulness(!). 2 recits (both quite large and complicated) and 2 arias (moderato and allegro with a slower(?) reflective middle section in triple time).

Range: d - g''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Quel usignuolo che in quella pianta
Forces: soprano & continuo

As the nightingale sings of the pains of love, Filli's lover swears his devotion to her and begs her to ignore all the lies and jealousies that plague young love. ARA format, the first a complex and virtuosic larghetto, e cantabile, the last marked non presto

Source: Münster Santini Sammlung Hs 2358

Range: e - a''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: S'io credessi il cor costante
Forces: soprano & continuo

'If' is, of course, the important word in this cantata. "If I belived in a faithful heart..." A discussion of the pain caused by loving too much. ARA format, both arias excellent and sinuous.

Source: Münster Santini Sammlung Hs 2358(3)

Range: d# - a''

Editor: James Sanderson

Cantata à voce sola di soprano
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Leo: Sotto l'ombra d'un faggio fermò l'incerto passo
Forces: soprano & continuo

Source: BL Add MS 14210 ff 35v - 41v

The young man, perhaps unlucky and unhappy Tirsi, finds himself once more beneath the shade of a beech tree lamenting the cruelty of his beloved Dorinda. 2 recit and aria form with some stylish vocal passage work in both arias.

Range: d# - g#''

Editor: James Sanderson

Cantata à voce sola di soprano
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Porpora: Abbandonata e sola
Forces: alto & continuo

Here Porpora is at the height both of his recitative and 'pathetic' writing with a stunning first aria, but also maintains the fieriness of his allegro writing in the last aria.

This pastoral cantata is all about 'separation angst' and the suffering when abandoned by one's love - in this case Fileno (again).

Source: Münster Santini Hs 3313 (Nr. 17)

Range: c - d'

Editor: James Sanderson

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Porpora: Alla caccia dell'alme
Forces: alto & continuo

A hunting cantata, as virtuosic as the Vivaldi version and with even better recitatives! ARA format, here Clori is the huntress who ensnares men with her charms, too late our lover discovers he is already caught, but he is "...not the first and not alone."

Range: a - e

Editor: James Sanderson

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Vinci: È pure un gran' portento
Forces: soprano & continuo

'You know the giref I feel, the mountains know and the valleys, the fields, the animals, but not the idol of my life...' Poor guy, you have to feel sorry for him! A lovely galante stlye cantata with exquisite first aria and technically demanding finale. RARA format and really 'something to get your teeth into'.

Source: Naples, Cantate 304/6

Editor: James Sanderson

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Vinci: Mi costa tante lacrime
Forces: soprano & continuo

An extraordinarily effective work in ARA format. Both arias are stunning and real examples of the brilliance of Vinci's inventiveness both in terms of ornamentation and vocal line. Some really effective word-painting too. "It cost me many tears, the purchase of your heart..." Need I say more?

Source: Biblioteca del Conservatorio di musica S. Pietro a Majella - Napoli; Segnatura: Cantate 304-14.

Editor: James Sanderson

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Vinci: Olimpia abbandonata
Forces: soprano & continuo

Source: BL Add 14226

This is a beautiful working of the deserted Olimpia story with many cries for her beloved. Extensive Lento to begin and a fiery Presto to finish.

Range: d#' - g''

Editor: James Sanderson

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Vinci: Parto mà con qual core
Forces: soprano & continuo

A real tour de force here with Vinci at his very best. Virtuosic final aria and a first aria full of pathos and affect. Some stunning vocal writing setting the bar very high for the performers. I leave 'with a heavy heart...but as the stream returns to the sea, so will return to thee...'

Source: Biblioteca del Conservatorio di musica S. Pietro a Majella - Napoli; Segnatura: Cantate 19.

Editor: James Sanderson

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Vinci: Tu partisti, o del core
Forces: alto & continuo

A delightful offering from Sgr. Vinci, in RARA format, the recitatives long and complex, the arias reflecting Burney's opinion than Vinci was a master at "...simplifying and polishing melody and calling the attention of the audience cheifly to the voice part."

Sad, yet vibrant - a tale of longing and despair.

Range: a - e'

Editor: James Sanderson

Cantata da camera
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